Sacrées formes was an interactive young public installation designed in echoes to the exhibition Chagall, passeur de Lumière, at the Centre-Pompidou Metz in 2020.
The room was thought as an environment, an immersive space bridging our universe with the one of the modernist master. With murals and an abundance of details, interaction was made possible by looking for specific references in the paintings.
For younger participants, giant yet super light totems allowed to compose characters. For older ones a collection of modular stamps was designed in order for them to build their own editorial object, which shape was reminiscent of altarpieces, as a nod to the exhibition.
Catabase was a diploma installation for a Art & Communication Master Degree at l'ÉSAL Metz, obtained with jury's praise. The installation was designed in echo to a narration written in the context of the Master's thesis.
The main idea was to adapt a narrative piece into a walkable space. Shapes such as the altarpiece or the translucent posters were made in order to convey the mythological aspect of the source material.
Additionnaly, the Installation was setup as an antique temple, with a Pronaos displaying the research process, especially the documentation of the related workshops with high-schoolers. The main installation was displayed in the following room, with an altarpiece as the main object. The altarpiece was built up from base materials: Frames & Canvas were shaped, cut, and assembled at the woodworking workshop of the school. This was made possible by the help of the technicians, Seb (RIP) & Daniel.
Les Échos was an installation around poetic narration designed for the Biennale Jeune Création de Mulhouse at Motoco.
The installation mixed murals with clay figurines, screenprinting and blockprint in order to give to the spectator narrative fragments of Pyramid.ink cosmogony in a Time following Catabase.
Poems written on the walls presented different figures and characters painted above them. These were written in the way of a song, focused on formulaic repetitions of themes, and metrics.
Vaine-Gloire was a temporary immersive installation made for the Galerie Tata (Metz).
The installation was relying on an all-over pattern in the container the galerie used as an exhibition space. It was made from the combination of the Cosmic Minestrone & Alphabet Soup patterns first designed at l'ÉSAL. Cosmic Minestrone is a figurative pattern inspired by the cosmic soup c& panspermia concepts, where the infinitely huge and infinitely small are scaled at a similar size. Alphabet Soup is an abstract pattern mimicking letters, reminiscent of how we tend to interpret shapes by associations, such as the pareidolia effect.
6 minimalistic paintings inspired by Renaissance vanitas displayed.
